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Sound / dubbing / mixing studios Editing and sound

Original music and sound design for audiovisual media with 10+ years of experience in audiovisual products such as documentaries, short films, tv shows and advertising among others.

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Post-production studios Sound / dubbing / mixing studios Editing and sound

In Wannaclap we create unique sound experiences.

We are a tema with more than a decade of experience in composition, sound design and audio post-production, for advertisement, shortfilms, movies, documentaries, series, videogames and any audiovisual piece that needs to be sound-enhanced.

If you are looking for soundtracks, foley, sound effects, 2.1 and 5.1 mixing, voiceover, live streaming or a podcast, Wannaclap’s doors are open to receive you.

Our premise is to work so audiovisual projects meet the needs and quality standards.

Member of

Asociación de empresas dedicadas a la Producción de Audio (APA).

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Daniel Yafalian was born in 1974 in Montevideo, he is a composer and sound designer.
He works both in direct sound, as well as in post-production and sound design for film.

He has participated in approximately 50 feature films, doing post-production and/or sound design. These are some of the films in which he did the sound design: Alelí (Leticia Jorge, 2018) Amigo lindo del alma (D. Charlone, 2019), La Fundición del tiempo (Alvarez Neme 2019), Vida a bordo (Mazza de Lucca, 2018), Belmonte (Veiroj, 2018), Las Olas (Biniez 2017), Otra historia del mundo (Casanova, 2017), El Candidato (Hendler, 2016), El apóstata (Veiroj, 2015), El Hombre Nuevo (Garay, 2015), Los enemigos del dolor (Hernández 2014), Avant (Alvarez Neme 2014), Manual del Macho Alfa (Kloetzer, 2014), Tanta Agua (Guevara-Jorge 2013), El Casamiento (Garay, 2012), Flacas vacas (Svirsky, 2012), Las flores de mi familia (Fernández Hoppe, 2012), 3 (Stoll, 2012), La vida útil (Veiroj, 2010), Hiroshima (Stoll, 2009), Gigante (Biniez, 2009), , El viaje hacia el mar (Casanova, 2003), Rio de los pájaros pintados (Casacuberta, 2008), 25 Watts (Rebella – Stoll, 2001), La Espera (Garay, 2002), Ruido (Bertalmío, 2004), Whisky (Rebella – Stoll, 2004), A las 5 en punto (Charlo, 2005), La Matinee (Bednarik, 2006), Cronica de un sueño (Viñoles – Tononi, 2005) among others.

It won the following awards: Soundtrack Chorale at the International Festival of New Latin American Cinema 2010 (Cuba) for the feature film La Vida Util, Best Soundtrack at the Fenavid Festival 2007 (Bolivia) for the short film Se Alquila and the Silver Tattoo for Best Music at the XXXV Jornada Internacional de Cinema da Bahia (Brazil) for the feature film El Círculo (2008). It won the award for best sound from the Uruguayan Film Critics Association for Hiroshima, La vida útil, 3 and El apóstata (being nominated in several other films for music and/or sound).

He composed the original music for the feature films La Fundición del Tiempo (2019) El Hombre Nuevo (2015) A las 5 en punto (2005), El Círculo (2008), El cultivo de la flor invisible (2012), El casamiento (2011) and El almanaque (2012).  He is co-director with Pablo Stoll of the short film “”Uruguay HOY”” for the cycle Huellas de TV Ciudad (2013).
He has released 3 musical albums, Naturaleza muerta (2012), Paraísos Artificiales (2015), this last one nominated for best cover design and best instrumental album at the Graffiti 2016 and Micromundos (2018) awards. The three make up an unintentional trilogy.

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