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BMR Cultural Production Company is an Uruguayan firm dedicated to the generation and management of cultural projects. The work focuses on editorial, audiovisual, museum and communication products, always on the premise that culture stimulates and strengthens social development; heritage, identity, aesthetics are all reference values. Far from considering beauty an accessory or complementary element, it is understood as a fundamental component, assuming the commitment to connect the community with qualified experiences and products, both in content and form.

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Socio fundador de la CEACU / Cámara de Empresas y Actores Culturales del Uruguay , CCSU / Cámara de Comercio y Servicios del Uruguay.

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Archives Image files Producers Production companies: Documentary Production companies: Service

We provide services for documentary, photograph, or nature productions. We have extensive knowledge of the records of wildlife in Uruguay and Latin America. This allows us to provide comprehensive advice for different productions.
We research how, where, and with whom to film natural phenomena and animal behavior, as well as social and cultural life. We provide the necessary support for every production.

Member of

ASOPROD

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Lighting rental Archives Image files Sets and stage vehicles Post-production studios Lighting and grip equipment Editing and sound Sets and Studios Producers Production companies: Advertising

Producer of photography and image, advertising, documentary, corporate, editorial, etc.

Drone rental Archives Image banks Camera and sound

Drone operator since 2011. licensed and insured. Aerial cinematographer. Director.

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Archives Post-production studios Sound / dubbing / mixing studios Sound libraries Editing and sound

Daniel Yafalian was born in 1974 in Montevideo, he is a composer and sound designer.
He works both in direct sound, as well as in post-production and sound design for film.

He has participated in approximately 50 feature films, doing post-production and/or sound design. These are some of the films in which he did the sound design: Alelí (Leticia Jorge, 2018) Amigo lindo del alma (D. Charlone, 2019), La Fundición del tiempo (Alvarez Neme 2019), Vida a bordo (Mazza de Lucca, 2018), Belmonte (Veiroj, 2018), Las Olas (Biniez 2017), Otra historia del mundo (Casanova, 2017), El Candidato (Hendler, 2016), El apóstata (Veiroj, 2015), El Hombre Nuevo (Garay, 2015), Los enemigos del dolor (Hernández 2014), Avant (Alvarez Neme 2014), Manual del Macho Alfa (Kloetzer, 2014), Tanta Agua (Guevara-Jorge 2013), El Casamiento (Garay, 2012), Flacas vacas (Svirsky, 2012), Las flores de mi familia (Fernández Hoppe, 2012), 3 (Stoll, 2012), La vida útil (Veiroj, 2010), Hiroshima (Stoll, 2009), Gigante (Biniez, 2009), , El viaje hacia el mar (Casanova, 2003), Rio de los pájaros pintados (Casacuberta, 2008), 25 Watts (Rebella – Stoll, 2001), La Espera (Garay, 2002), Ruido (Bertalmío, 2004), Whisky (Rebella – Stoll, 2004), A las 5 en punto (Charlo, 2005), La Matinee (Bednarik, 2006), Cronica de un sueño (Viñoles – Tononi, 2005) among others.

It won the following awards: Soundtrack Chorale at the International Festival of New Latin American Cinema 2010 (Cuba) for the feature film La Vida Util, Best Soundtrack at the Fenavid Festival 2007 (Bolivia) for the short film Se Alquila and the Silver Tattoo for Best Music at the XXXV Jornada Internacional de Cinema da Bahia (Brazil) for the feature film El Círculo (2008). It won the award for best sound from the Uruguayan Film Critics Association for Hiroshima, La vida útil, 3 and El apóstata (being nominated in several other films for music and/or sound).

He composed the original music for the feature films La Fundición del Tiempo (2019) El Hombre Nuevo (2015) A las 5 en punto (2005), El Círculo (2008), El cultivo de la flor invisible (2012), El casamiento (2011) and El almanaque (2012).  He is co-director with Pablo Stoll of the short film “”Uruguay HOY”” for the cycle Huellas de TV Ciudad (2013).
He has released 3 musical albums, Naturaleza muerta (2012), Paraísos Artificiales (2015), this last one nominated for best cover design and best instrumental album at the Graffiti 2016 and Micromundos (2018) awards. The three make up an unintentional trilogy.

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