{"id":9231,"date":"2020-11-10T16:36:16","date_gmt":"2020-11-10T19:36:16","guid":{"rendered":"https:\/\/uruguayaudiovisual.com\/?page_id=9231"},"modified":"2021-09-21T11:15:26","modified_gmt":"2021-09-21T14:15:26","slug":"uruguay-at-ventana-sur","status":"publish","type":"page","link":"https:\/\/uruguayaudiovisual.com\/en\/uruguay-at-ventana-sur\/","title":{"rendered":"Uruguay at Ventana Sur"},"content":{"rendered":"

<\/span> Incentives<\/span><\/span><\/span> <\/span><\/h2><\/div>

Access here:<\/b><\/p>\n<\/div><\/div><\/div>

<\/span><\/div><\/div><\/div>

CASH REBATE &\u00a0<\/span>VAT ZERO<\/span><\/a><\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/span> Incentives<\/span><\/span><\/span> <\/span><\/h2><\/div>

Access here:<\/b><\/p>\n<\/div><\/div><\/div>

\"\"<\/div><\/a><\/div>
<\/div>
\n

CASH REBATE<\/a>
\n<\/span><\/p>\n

VAT ZERO<\/a><\/span><\/p>\n<\/div><\/div><\/div>

<\/div><\/div><\/div><\/div><\/div><\/div>
<\/span><\/div><\/div><\/div>
<\/div>
<\/div><\/div><\/span>

Screenings<\/h3><\/span>
<\/div><\/div><\/div><\/div><\/div>
<\/div>
\n

\"\"<\/a>
\nRED SCREENING
\n<\/strong>AL MORIR LA MATINEE<\/em>
\nMaximiliano Contenti
\nReel Suspects<\/strong><\/p>\n<\/div><\/div><\/div>

<\/div>
\n

\"\"<\/a>
\nBOSCO<\/strong>
\nAlicia Cano
\nMutante Cine<\/strong><\/p>\n<\/div><\/div><\/div>

<\/div>
\n

\"\"<\/strong><\/a><\/p>\n

CARMEN VIDAL, FEMALE DETECTIVE<\/strong>
\nCARMEN VIDAL, MUJER DETECTIVE<\/em>
\nEva Dans
\nHabanero Films Sales<\/strong><\/p>\n<\/div><\/div><\/div>

<\/div>
\n

\"\"<\/strong><\/a><\/p>\n

STRAIGHT TO VIDEO
\n<\/strong>DIRECTAMENTE PARA VIDEO<\/em>
\nEmilio Silva Torres
\nTarkio Films<\/strong><\/p>\n<\/div><\/div><\/div>

<\/div>
\n

\"\"<\/strong><\/a><\/p>\n

THE YEAR OF FURY
\n<\/strong>EL A\u00d1O DE LA FURIA<\/em>
\nRafa Russo
\nFilmax<\/strong><\/p>\n<\/div><\/div><\/div>

<\/div>
\n

\"\"<\/strong><\/a><\/p>\n

WINDOW BOY WOULD ALSO LIKE TO HAVE A SUBMARINE
\n<\/strong>CHICO VENTANA TAMBI\u00c9N QUISIERA TENER UN SUBMARINO<\/span><\/em>
\nAlex Piperno
\nLa Pobladora Cine<\/strong><\/p>\n<\/div><\/div><\/div>

<\/div>
\n

\"\"<\/a><\/p>\n

THE VISITOR
\n<\/strong>EL VISITANTE<\/em>
\nMartin Bouloucq<\/p>\n<\/div><\/div><\/div>

<\/div>
\n

\"\"<\/strong><\/a><\/p>\n

BAD CHRISTMAS
\n<\/strong>LA NOCHE M\u00c1GICA<\/em>
\nGast\u00f3n Portal
\nLatido Films<\/strong><\/p>\n<\/div><\/div><\/div>

<\/div>
\n

\"\"<\/strong><\/a><\/p>\n

LOOKOUT
\n<\/strong>MIRADOR<\/em>
\nAnt\u00f3n Terni
\nMovies for Festivals<\/strong><\/p>\n<\/div><\/div><\/div>

<\/div><\/div><\/div><\/div><\/div><\/div>
<\/div>
<\/div><\/div><\/span>

Pitchings<\/h3><\/span>
<\/div><\/div><\/div><\/div><\/div>

Animation<\/span><\/h3>\n<\/div>
<\/div>

Schedule to be confirmed<\/p>\n<\/div>

<\/span><\/div><\/div><\/div>

OLIVIA Y LOS MISTERIOS<\/strong>
\nOLIVIA AND THE SHADOWS
\nJuan Carve<\/p>\n<\/div>

Download<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div>

Series only<\/span><\/h3>\n<\/div>

Wednesday, Dic 2nd 11.30 > 12.30 Argentina \/ UTC -3<\/p>\n<\/div>

<\/a><\/span><\/div><\/div><\/div>

LUTHIERS<\/strong>
\nLeandro Barneche<\/p>\n<\/div>

Summary<\/span><\/a><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>

VIVO O MUERTO<\/strong>
\nDEAD OR ALIVE
\nNicol\u00e1s Botana, Marco Bentancor<\/p>\n<\/div>

Summary<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div>
<\/div><\/div><\/span>

Pitchings<\/p><\/h3><\/span>

<\/div><\/div><\/div>

Animation<\/span><\/h3>\n

Schedule to be confirmed<\/p>\n<\/div>

<\/div>
<\/a><\/span><\/div>
<\/div>

OLIVIA Y LOS MISTERIOS<\/strong>
\nOLIVIA AND THE SHADOWS
\nJuan Carve<\/p>\n<\/div>

Download<\/span><\/a><\/div><\/div><\/div>

Series only<\/span><\/h3>\n

Wednesday, Dic 2nd 11.30 > 12.30 Argentina \/ UTC -3<\/p>\n<\/div>

<\/div>
<\/a><\/span><\/div>
<\/div>

LUTHIERS<\/strong>
\nLeandro Barneche<\/p>\n<\/div>

Summary<\/span><\/a><\/div>
<\/div>
<\/a><\/span><\/div>

VIVO O MUERTO<\/strong>
\nDEAD OR ALIVE
\nNicol\u00e1s Botana, Marco Bentancor<\/p>\n<\/div>

Summary<\/span><\/a><\/div><\/div><\/div><\/div><\/div>
<\/div>
<\/div><\/div><\/span>

Industry in Progress<\/p><\/h3><\/span>

<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>

EL VISITANTE<\/strong>
\nTHE VISITOR
\nMart\u00edn Boulocq<\/p>\n<\/div><\/div><\/div>

EL HIJO DESEADO<\/strong>
\nTHE DESIRED SON
\nAriel Rotter<\/p>\n<\/div><\/div><\/div>

About<\/span><\/a><\/div><\/div><\/div><\/div><\/div>
<\/div>
<\/div><\/div><\/span>

Industry in Progress<\/p><\/h3><\/span>

<\/div><\/div><\/div><\/div><\/div>
<\/div>
<\/a><\/span><\/div>
<\/div>

EL VISITANTE<\/strong>
\nTHE VISITOR
\nMart\u00edn Boulocq<\/p>\n

EL HIJO DESEADO<\/strong>
\nTHE DESIRED SON
\nAriel Rotter<\/p>\n<\/div>

Summary<\/span><\/a><\/div><\/div><\/div><\/div><\/div>
<\/div>
<\/div><\/div><\/span>

El principio del film<\/p><\/h3><\/span>

<\/div><\/div><\/div><\/div><\/div>
<\/span><\/div><\/div><\/div>
\n
\n\n\n\n\n\n\n\n\n\n
Amiga<\/td>\nBest Friend<\/td>\nZ\u00e1lah<\/td>\n<\/tr>\n
Caza y Pesca<\/td>\nGame & Fish<\/td>\nRodolfo Santullo<\/td>\n<\/tr>\n
El Gato<\/td>\nThe Cat<\/td>\nFernando Trucco<\/td>\n<\/tr>\n
El otro lado<\/td>\nThe other side<\/td>\nLucia Nieto Salazar<\/td>\n<\/tr>\n
Falso Vivo<\/td>\nFake Alive<\/td>\nLucas Cilintano<\/td>\n<\/tr>\n
Luz Negra<\/td>\nBlacklight<\/td>\nNico Ciganda<\/td>\n<\/tr>\n
Mujer Equivocada<\/td>\nMistaken Woman<\/td>\nAna Tipa<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div><\/div>
<\/div><\/div><\/div><\/div>
<\/div>
<\/div><\/div><\/span>

Projects<\/h3><\/span>
<\/div><\/div><\/div><\/div><\/div>

\"\"<\/a>The magical Garden<\/p>\n<\/div><\/div><\/div>

\"\"<\/a> #Follow me please<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>What’s left when you’re gone<\/span><\/p>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n

Julia<\/span><\/div>\n<\/div><\/div><\/div>

\"\"<\/a><\/p>\n

The Lilies<\/span><\/div>\n<\/div><\/div><\/div>

\"\"<\/a>Carmen Vidal female detective<\/p>\n<\/div><\/div><\/div>

<\/div><\/div><\/div>

\"\"<\/a>Game and Fish<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>The Plague<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>The theft of The Eagle<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>The Signing<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>Ali Socrates<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>Hound<\/p>\n<\/div><\/div><\/div>

<\/div><\/div><\/div>

\"\"<\/a>Light years<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>Roofs: Music 3.0<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>It’s a APPA<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>Reaching for the moon<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>For God’s sake<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>The anniversary<\/p>\n<\/div><\/div><\/div>

<\/div><\/div><\/div>

\"\"<\/a>Straight to video<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>Candombe’s songs<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>I, Argelian<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>Bosco<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>The last youtuber<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>The broken glass theory<\/p>\n<\/div><\/div><\/div>

<\/div><\/div><\/div>

\"\"<\/a>Badmom<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>The visitor<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>Exodus<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>The rock and the sea<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>Emptiness<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>Eur\u00eddice, far away…<\/p>\n<\/div><\/div><\/div>

<\/div><\/div><\/div>

\"\"<\/a>Luthiers<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>Bad Christmas<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>Red screening<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>Ghosting Gloria<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>The year of fury<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>My grandma, to the World Championship<\/p>\n<\/div><\/div><\/div>

<\/div><\/div><\/div>

\"\"<\/a>The Quarry<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>5 days<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>Pharos<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>The sleepwalkers<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>The latest romantics<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>Lookout<\/p>\n<\/div><\/div><\/div>

<\/div><\/div><\/div>

\"\"<\/a>Small Town<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>Window boy would also like to have a submarine<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>The bridge<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>Ida on Ida<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>The Relative East<\/p>\n<\/div><\/div><\/div>

<\/div><\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div>
<\/span><\/div>
<\/div><\/div><\/div>

<\/span> Delegation from Uruguay<\/span><\/path><\/path><\/svg><\/span> <\/span><\/h3><\/div><\/div><\/div>
<\/div>
<\/div>
<\/div><\/div><\/div>
\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\"\"<\/td>\nAlfonsina Alonso<\/strong><\/a>
\n<\/strong><\/span>Director & Producer<\/td>\n		\"\"<\/td>\nJuan Martin Alonso<\/strong><\/a>
\nProducer<\/td>\n		\"\"<\/td>\nPablo Banchero<\/strong><\/a>
\nProducer
\nWe Cook Films<\/td>\n		\"\"<\/td>\nValentina Baracco<\/strong><\/a>
\nProducer
\nMonarca Films<\/td>\n<\/tr>\n
\"\"<\/td>\nLeandro Barneche<\/a><\/strong>
\nDirector & Producer
\nLa Suma<\/td>\n		\"\"<\/td>\nVirginia Bogliolo<\/strong><\/a>
\nProducer
\nTarkiofilm<\/td>\n		\"\"<\/td>\nNicol\u00e1s Bottero<\/strong><\/a>
\nExecutive Producer
\nLos Modernos Films<\/td>\n		\"\"<\/td>\nAlexis Bourgeois<\/strong><\/a>
\nExecutive Producer
\nPapo Studios<\/td>\n<\/tr>\n
\"\"<\/td>\nAlvaro Brechner<\/strong><\/a>
\nDirector<\/td>\n		\"\"<\/td>\nGuillermo Carbonel<\/strong><\/a>
\nDirector
\nMurdoc<\/td>\n		\"\"<\/td>\nJuan Carve<\/strong><\/a>
\nDirector
\nChucho.TV<\/td>\n		\"\"<\/td>\nClara Charlo<\/strong><\/a>
\nProducer
\nTarkio Films<\/td>\n<\/tr>\n
\"\"<\/td>\nAgustina Chiarino<\/strong><\/a>
\nProducer
\nMutante Cine<\/td>\n		\"\"<\/a><\/td>\nVictoria Comune<\/strong><\/a>
\nProducer
\nDream Big Pictures<\/td>\n		\"\"<\/td>\nPablo Di Leva<\/strong><\/a>
\nProducer
\nBandido Cine<\/td>\n		\"\"<\/td>\nMicaela Dom\u00ednguez<\/strong><\/a>
\nJournalist
\nLATAM Cinema<\/td>\n<\/tr>\n
\"\"<\/td>\nFernando Epstein<\/b><\/a>
\nProducer
\nMutante Cine<\/td>\n		\"\"<\/a><\/td>\n\u00a0Diego Fern\u00e1ndez<\/strong><\/a>
\nProducer & Director
\nParking Films<\/td>\n		\"\"<\/td>\nPablo Fern\u00e1ndez<\/strong><\/a>
\nDirector & Producer
\nSuekofilms<\/td>\n		\"\"<\/td>\nIgnacio Garc\u00eda Cucucovich<\/strong><\/a>
\nProducer
\nMother Superior Films<\/td>\n<\/tr>\n
\"\"<\/td>\nAdriana Gonz\u00e1lez<\/strong><\/a>
\nProducer
\nLuza Producciones<\/td>\n		\"\"<\/td>\n\u00a0Clarissa Guarilha<\/strong><\/a>
\nProducer
\nLa Creciente<\/td>\n		\"\"<\/td>\nAlfonso Lourido<\/strong><\/a>
\nExecutive Producer & Director
\nCarajito Films<\/td>\n		\"\"<\/td>\nJoaquin Mauad<\/strong><\/a>
\nDirector & Producer
\nAnfibia Cine<\/td>\n<\/tr>\n
\"\"<\/td>\nSebasti\u00e1n Mayayo<\/strong><\/a>
\nProducer & Director<\/td>\n		\"\"<\/td>\nEmiliano Mazza<\/strong><\/a>
\nDirector & Producer
\nPassaparola<\/td>\n		\"\"<\/td>\nPatricia M\u00e9ndez<\/strong><\/a>
\nProducer & Director
\nMefafilms<\/td>\n		\"\"<\/td>\nGerardo Michelin<\/strong><\/a>
\nDirector Journalist
\nLATAM Cinema<\/td>\n<\/tr>\n
\"\"<\/td>\nCecilia Mato<\/strong><\/a>
\nExecutive Producer
\nSalado<\/td>\n		\"\"<\/td>\n\u00a0Luc\u00eda Moreira<\/strong><\/a>
\nProducer
\nRaccord Films<\/td>\n		\"\"<\/td>\nFederico Moreira<\/strong><\/a>
\nDirector & Producer
\nLa Mayor<\/td>\n		\"\"<\/td>\nLuc\u00eda Nieto<\/strong><\/a>
\nDirector<\/td>\n<\/tr>\n
\"\"<\/td>\nPatricia Olveira<\/strong><\/a>
\nProducer
\nCord\u00f3n Films<\/td>\n		\"\"<\/td>\nVer\u00f3nica Pamoukaghlian<\/strong><\/a>
\nHead of Development
\nNektar Films<\/td>\n		\"\"<\/td>\nSebasti\u00e1n P\u00e9rez<\/strong><\/a>
\nFilmmaker
\nMother Superior Films<\/td>\n		\"\"<\/td>\nAlex Piperno<\/strong><\/a>
\nProducer
\nLa Pobladora Cine<\/td>\n<\/tr>\n
\"\"<\/td>\nFiona Pittaluga<\/strong><\/a>
\nFestival Director
\nJIFF<\/td>\n		\"\"<\/td>\nJuan Platero<\/strong><\/a>
\nExecutive Director
\nEl Refugio Films<\/td>\n		\"\"<\/td>\nAilen Rodr\u00edguez<\/strong><\/a>
\nProducer
\nYukoh Films<\/td>\n		\"\"<\/td>\nRodolfo Santullo<\/strong><\/a>
\nScript writer<\/td>\n<\/tr>\n
\"\"<\/td>\nPaula Schargorodsky<\/strong><\/a>
\nProducer & Director
\nDream Big Pictures<\/td>\n		\"\"<\/td>\nMariana Secco<\/strong><\/a>
\nProducer
\nSalado<\/td>\n		\"\"<\/td>\nFacundo Sosa<\/strong><\/a>
\nExecutive Producer
\nReject Films<\/td>\n		\"\"<\/td>\nMicaela Sol\u00e9<\/strong><\/a>
\nCEO – Producer
\nCord\u00f3n Films<\/td>\n<\/tr>\n
\"\"<\/td>\n\u00a0Juan Manuel Sol\u00e9<\/strong><\/a>
\nProducer & Director
\nRegi\u00f3n Cinema<\/td>\n		\"\"<\/a><\/td>\nAna Tipa<\/strong><\/a>
\nDirector & Producer
\nHuerfanita Films<\/td>\n		\"\"<\/td>\n\u00a0Lorenzo Tocco<\/strong><\/a>
\nDirector & Producer<\/td>\n		\"\"<\/td>\nPatricia Troch\u00f3n<\/strong><\/a>
\nProducer & Director
\nMuchacha Films<\/td>\n<\/tr>\n
\"\"<\/td>\n\u00a0Fernando Trucco<\/strong><\/a>
\nScriptwriter<\/td>\n		\"\"<\/td>\n\u00a0Nicol\u00e1s Vald\u00e9s<\/strong><\/a>
\nSales Agent
\nCircular Media<\/td>\n		\"\"<\/td>\n\u00a0In\u00e9s V\u00e1zquez<\/strong><\/a>
\nProducer
\nByobu<\/td>\n		\"\"<\/td>\n\u00a0Z\u00e1lah Rodr\u00edguez<\/strong><\/a>
\nFilmmaker<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div><\/div><\/div><\/div>
<\/span><\/div>
<\/div><\/div><\/div>

<\/span> Delegation from Uruguay<\/span><\/path><\/path><\/svg><\/span> <\/span><\/h3><\/div><\/div><\/div>
<\/div>
<\/div>
<\/div>\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\"\"<\/td>\nAlfonsina Alonso<\/strong><\/a>
\n<\/strong><\/span>Director & Producer<\/td>\n		\"\"<\/td>\nJuan Martin Alonso<\/strong><\/a>
\nProducer<\/td>\n<\/tr>\n
\"\"<\/td>\nPablo Banchero<\/strong><\/a>
\nProducer
\nWe Cook Films<\/td>\n		\"\"<\/td>\nValentina Baracco<\/strong><\/a>
\nProducer
\nMonarca Films<\/td>\n<\/tr>\n
\"\"<\/td>\nLeandro Barneche<\/a><\/strong>
\nDirector & Producer
\nLa Suma<\/td>\n		\"\"<\/td>\nVirginia Bogliolo<\/strong><\/a>
\nProducer
\nTarkiofilm<\/td>\n<\/tr>\n
\"\"<\/td>\n\u00a0Nicol\u00e1s Bottero<\/strong><\/a>
\nExecutive Producer
\nLos Modernos Films<\/td>\n		\"\"<\/td>\nAlexis Bourgeois<\/strong><\/a>
\nExecutive Producer
\nPapo Studios<\/td>\n<\/tr>\n
\"\"<\/td>\nAlvaro Brechner<\/strong><\/a>
\nDirector<\/td>\n		\"\"<\/td>\nGuillermo Carbonel<\/strong><\/a>
\nDirector
\nMurdoc<\/td>\n<\/tr>\n
\"\"<\/td>\nJuan Carve<\/strong><\/a>
\nDirector
\nChucho.TV<\/td>\n		\"\"<\/td>\nClara Charlo<\/strong><\/a>
\nProducer
\nTarkio Films<\/td>\n<\/tr>\n
\"\"<\/td>\n\u00a0Agustina Chiarino<\/strong><\/a>
\nProducer
\nMutante Cine<\/td>\n		\"\"<\/a><\/td>\nVictoria Comune<\/strong><\/a>
\nProducer
\nDream Big Pictures<\/td>\n<\/tr>\n
\"\"<\/td>\n\u00a0Pablo Di Leva<\/strong><\/a>
\nProducer
\nBandido Cine<\/td>\n		\"\"<\/td>\nMicaela Dom\u00ednguez<\/strong><\/a>
\nJournalist
\nLATAM Cinema<\/td>\n<\/tr>\n
\"\"<\/td>\nFernando Epstein<\/b><\/a>
\nProducer
\nMutante Cine<\/td>\n		\"\"<\/a><\/td>\nDiego Fern\u00e1ndez<\/strong><\/a>
\nProducer & Director
\nParking Films<\/td>\n<\/tr>\n
\"\"<\/td>\nPablo Fern\u00e1ndez<\/strong><\/a>
\nDirector & Producer
\nSuekofilms<\/td>\n		\"\"<\/td>\nIgnacio Garc\u00eda Cucucovich<\/strong><\/a>
\nProducer
\nMother Superior Films<\/td>\n<\/tr>\n
\"\"<\/td>\nAdriana Gonz\u00e1lez<\/strong><\/a>
\nProducer
\nLuza Producciones<\/td>\n		\"\"<\/td>\nClarissa Guarilha<\/strong><\/a>
\nProducer
\nLa Creciente<\/td>\n<\/tr>\n
\"\"<\/td>\n\u00a0Alfonso Lourido<\/strong><\/a>
\nExecutive Producer & Director
\nCarajito Films<\/td>\n		\"\"<\/td>\nJoaquin Mauad<\/strong><\/a>
\nDirector & Producer
\nAnfibia Cine<\/td>\n<\/tr>\n
\"\"<\/td>\nSebasti\u00e1n Mayayo<\/strong><\/a>
\nProducer & Director<\/td>\n		\"\"<\/td>\nEmiliano Mazza<\/strong><\/a>
\nDirector & Producer
\nPassaparola<\/td>\n<\/tr>\n
\"\"<\/td>\n\u00a0Patricia M\u00e9ndez<\/strong><\/a>
\nProducer & Director
\nMefafilms<\/td>\n		\"\"<\/td>\nGerardo Michelin<\/strong><\/a>
\nDirector Journalist
\nLATAM Cinema<\/td>\n<\/tr>\n
\"\"<\/td>\nCecilia Mato<\/strong><\/a>
\nExecutive Producer
\nSalado<\/td>\n		\"\"<\/td>\nLuc\u00eda Moreira<\/strong><\/a>
\nProducer
\nRaccord Films<\/td>\n<\/tr>\n
\"\"<\/td>\nFederico Moreira<\/strong><\/a>
\nDirector & Producer
\nLa Mayor<\/td>\n		\"\"<\/td>\nLuc\u00eda Nieto<\/strong><\/a>
\nDirector<\/td>\n<\/tr>\n
\"\"<\/td>\nPatricia Olveira<\/strong><\/a>
\nProducer
\nCord\u00f3n Films<\/td>\n		\"\"<\/td>\nVer\u00f3nica Pamoukaghlian<\/strong><\/a>
\nHead of Development
\nNektar Films<\/td>\n<\/tr>\n
\"\"<\/td>\nSebasti\u00e1n P\u00e9rez<\/strong><\/a>
\nFilmmaker
\nMother Superior Films<\/td>\n		\"\"<\/td>\n\u00a0Alex Piperno<\/strong><\/a>
\nProducer
\nLa Pobladora Cine<\/td>\n<\/tr>\n
\"\"<\/td>\nFiona Pittaluga<\/strong><\/a>
\nFestival Director
\nJIFF<\/td>\n		\"\"<\/td>\n\u00a0Juan Platero<\/strong><\/a>
\nExecutive Director
\nEl Refugio Films<\/td>\n<\/tr>\n
\"\"<\/td>\nAilen Rodr\u00edguez<\/strong><\/a>
\nProducer
\nYukoh Films<\/td>\n		\"\"<\/td>\nRodolfo Santullo<\/strong><\/a>
\nScriptwriter<\/td>\n<\/tr>\n
\"\"<\/td>\nPaula Schargorodsky<\/strong><\/a>
\nProducer & Director
\nDream Big Pictures<\/td>\n		\"\"<\/td>\n\u00a0Mariana Secco<\/strong><\/a>
\nProducer
\nSalado<\/td>\n<\/tr>\n
\"\"<\/td>\n\u00a0Facundo Sosa<\/strong><\/a>
\nExecutive Producer
\nReject Films<\/td>\n		\"\"<\/td>\nMicaela Sol\u00e9<\/strong><\/a>
\nCEO – Producer
\nCord\u00f3n Films<\/td>\n<\/tr>\n
\"\"<\/td>\nJuan Manuel Sol\u00e9<\/strong><\/a>
\nProducer & Director
\nRegi\u00f3n Cinema<\/td>\n		\"\"<\/a><\/td>\n\u00a0Ana Tipa<\/strong><\/a>
\nDirector & Producer
\nHuerfanita Films<\/td>\n<\/tr>\n
\"\"<\/td>\nLorenzo Tocco<\/strong><\/a>
\nDirector & Producer<\/td>\n		\"\"<\/td>\nPatricia Troch\u00f3n<\/strong><\/a>
\nProducer & Director
\nMuchacha Films<\/td>\n<\/tr>\n
\"\"<\/td>\nFernando Trucco<\/strong><\/a>
\nGuionista<\/td>\n		\"\"<\/td>\n\u00a0Nicol\u00e1s Vald\u00e9s<\/strong><\/a>
\nSales Agent
\nCircular Media<\/td>\n<\/tr>\n
\"\"<\/td>\nIn\u00e9s V\u00e1zquez<\/strong><\/a>
\nProducer
\nByobu<\/td>\n		\"\"<\/td>\nZ\u00e1lah Rodr\u00edguez<\/strong><\/a>
\nFilmmaker<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div><\/div>
<\/div><\/div><\/div><\/div>
<\/div>
<\/div><\/div><\/span>

Advantages of filming in Uruguay<\/a><\/span><\/h2><\/span>
<\/div><\/div><\/div>
<\/div><\/div><\/div>
\"ventajas\"<\/div>

Opposite seasons to the northern hemisphere<\/h2><\/div><\/div>
The seasons opposite to the northern hemisphere allow for audiovisual productions in summer during the boreal winter.<\/a><\/div><\/div><\/div><\/div><\/div>
\"personal<\/div>

Highly qualified professionals<\/h2><\/div><\/div>
The recognized professional level of Uruguayan technicians and the country’s important film infrastructure are real advantages for filming in Uruguay.<\/a><\/span><\/div><\/div><\/div><\/div><\/div>
\"Distancias<\/div>

Short distances<\/h2><\/div><\/div>
Short distances and fluid traffic Uruguay offers short distances between very varied locations, connected by an important network of routes and uncongested traffic.<\/a><\/div><\/div><\/div><\/div><\/div>
\"seguridad<\/div>

Security and transparency<\/h2><\/div><\/div>
Security and transparency Uruguay is one of the safest and most transparent countries in the region.<\/a><\/span><\/div><\/div><\/div><\/div><\/div>
\"Diversidad<\/div>

Diversity of locations<\/h2><\/div><\/div>
Variety of beaches, extensive rural areas and modern cities where colonial, classic and Art Nouveau styles coexist.<\/a><\/div><\/div><\/div><\/div><\/div>
\"Internet<\/div>

Internet and last generation equipment<\/h2><\/div><\/div>
It has the highest mobile Internet connection speed in Latin America and wide coverage throughout the country.<\/a><\/span><\/div><\/div><\/div><\/div><\/div>
\"Admisi\u00f3n<\/div>

Temporary admission<\/h2><\/div><\/div>
Temporary admission Tangible property used for the promotion of cultural activities may enter the country as a temporary admission.<\/a><\/div><\/div><\/div><\/div><\/div>
\"casting<\/div>

Varied Casting<\/h2><\/div><\/div>
Varied Casting Uruguay is a cosmopolitan country that offers solutions to the most specific and varied castings.<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/span>

Strategic location in the region<\/h2><\/span>
<\/div><\/div><\/div><\/div><\/div><\/div><\/div>
<\/span><\/div><\/div><\/div>
0<\/span><\/div>
Kilometers of coast<\/div><\/div><\/div>
0<\/span><\/div>
Kilometers in maximum distances<\/div><\/div><\/div>
0<\/span><\/div>
Hours of light in summer<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/span>

ORGANIZE YOUR PRODUCTION<\/h3><\/span>
<\/div><\/div><\/div>

Find the companies, technicians and institutions you need for your audiovisual project<\/span><\/p>\n<\/div>

<\/div>
COMPANIES<\/span><\/a><\/div><\/div><\/div>
PROFESSIONALS<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/span>

FIND YOUR LOCATION<\/h3><\/span>
<\/div><\/div><\/div>

Discover the perfect place to do your shooting, advertising or audiovisual production<\/span><\/p>\n<\/div>

<\/div>
SEE MORE<\/span><\/a><\/div><\/div><\/div><\/div><\/div>
\"\"<\/div>

NEWS<\/h2><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>\n